1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款

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1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款

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  • 1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款 高清图1
    1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款 高清图2
    1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款 高清图3
    1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款 高清图4
    1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款 高清图5
  • 1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款 高清图6
    1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款 高清图7
    1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款 高清图8
    1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款 高清图9
    1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款 高清图10

1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款

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1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款琉璃图鉴

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1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款标签

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1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款拍卖价格

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US$ 4,375 (CNY 29,360) 包括佣金

1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款拍卖日期

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17/12/2018

1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款拍卖公司

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邦瀚斯(Bonhams)

1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款拍卖地点

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旧金山

1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款拍卖专场

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Fine Chinese Snuff Bottles from Worldwide Collectors

1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款补充

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A rare inside-painted glass snuff bottle Ye Bengqi ,1956
Ye Bengqi ,1956
Skillfully painted in pleasant enamels with two blooming peony plants rising from rocks rendered in earthy brown and black ink ,dated June 1956 ,followed with a Ye Bengqi signature and a seal mark; the reverse depicting a placid lotus pond in the shade of a willow tree. 2 1/8in (5.4cm) high
注脚
Provenance
Sotheby’s ,Hong Kong ,11 June 1997 ,lot 0522
Ye Bengqi (?-1974) was the youngest son of Ye Zhongsan ,and the teacher of the celebrated inside painting master ,Wang Xisan. Ye was best known for reviving the art of enameling in the 1930s to the level that equals the works produced in the Qianlong era from the Beijing Palace Workshops.
Known inside-painted snuff bottles signed by Ye Bengqi are very rare ,as he seemed have moved away from the family specialization of inside-painted snuff bottles and concentrated on producing high quality enameled bottles to meet the contemporary market demand for the type ,at least during the period between 1933 and 1943. The few recorded inside-painted bottles by Ye Bengqi are either not inscribed or simply signed as Ye Xiaosan. One theory is that Ye ,although talented in enameling and painting ,was barely literate; Ye Xiaosan (叶小三) ,meaning the little third Ye ,was much easier to write than his formal name Ye Bengqi (叶菶祺). See another inside-painted bottle ,signed Ye Xiaosan ,sold in our Sydney rooms ,22 March 2015 ,sale 22495 ,lot 155.
The composition and painting style of the present bottle very much resemble how the flowers are rendered in his enameling work. This rare example demonstrates Ye Bengqi’s mastery and talent for bringing a delightful combination of colors and delicate technique to the inside painting art.
1956 叶菶祺 玻璃内画富贵牡丹及荷塘图鼻烟壶 《叶菶祺作》款

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